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Calendario Stendig 2023

Precio habitual
$79.00 USD
Precio habitual
Precio de venta
$79.00 USD
Fecha de Envío

Creado por el legendario diseñador italiano Massimo Vignelli en 1966, el Stendig sigue siendo uno de los mejores ejemplos del diseño modernista de la década de 1960, con dos de las creaciones más icónicas del movimiento: el tipo de letra suizo Helvetica y Grid. Poco después del lanzamiento, el calendario entró en la colección permanente del MoMA de Nueva York, donde permanece expuesto hasta el día de hoy.

El diseño de Vignelli es simple pero atrevido, impreso en litografía en hojas grandes de 122x92 cm unidas por tres ojales perforados a mano. Las páginas alternan el color, con meses impares presentados con texto negro sobre blanco, y con texto blanco sobre negro. Las hojas se quitan, diseñadas para retirarse al final de cada mes. Las hojas de meses anteriores son un excelente papel de regalo.

Stendig Calendar 2023

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After fifty-six years, a design from the sixties endures as an example of excellence in modern graphic design. The Stendig Calendar was designed in 1966 by Massimo Vignelli and taken that year into the Design Collection of the Museum of Modern Art in New York.

The Stendig Calendar's impressive size — three feet by four feet — and bold graphics have made it a popular as well as functional focal point of design in residential and commercial interiors around the world. Published annually by Cromwell Company, the Stendig Calendar is distributed through a variety of specialty retailers serving design conscious customers.

The Stendig Calendar consists of twelve sheets printed in black ink on white seventy pound weight offset paper stock. In an alternating order the sheets for even months are reverse printed producing a black background with white letters and numerals with odd months printed in black on white background. The twelve sheets are perforated along a line just under the binding strip to allow them to be torn away neatly.

The binding strip of the calendar has three matte black finish metal eyelets to facilitate easy hanging. Stendig Calendars are individually packaged in heavyweight bright white corrugated cartons allowing them to be safely shipped. Printed on the exterior of the cartons is a replica of the calendar and description.

Black, white and green! Both the calendar and its packaging are 100% recyclable.
Manufactured by the same Nashville-based family business for over 50 years.
The calendar has been part of the permanent collection of MoMA, New York since 1966.
UK orders are sent by tracked delivery from our UK warehouse, and arrive within 2-3 business days.
All EU orders are sent by tracked delivery from our warehouse in Austria, and arrive within 3-5 business days.
All EU orders are sent by tracked delivery from our warehouse in Austria, and arrive within 3-5 business days.
All US orders are sent by tracked delivery from our site in Nashville, and arrive within 7-10 business days.
All Canadian orders are sent by tracked delivery from our site in Ontario, and arrive within 5-7 working days.
All Australian orders are sent by tracked delivery from our warehouse in New South Wales, and arrive within 5-7 business days.
All New Zealand orders are sent by tracked delivery from our Auckland warehouse, and arrive within 3-5 business days.
All Singaporean orders are sent by tracked delivery from our Singapore warehouse, and arrive within 2-3 business days.
All SE Asian orders are sent by tracked delivery from our Hong Kong warehouse, and arrive within 2-7 business days.
All Indian orders are sent by tracked delivery from our Mumbai warehouse, and arrive within 3-5 business days.

Upcycle old sheets

Once the month is over, sheets can be detached from the calendar along a perforated seam that runs along the top. Previous months’ sheets make excellent wrapping paper — we recommend rolling them up and saving them for Christmas.

Space and scale

At the heart of the Stendig is a remarkable interplay between space and scale. At 122x92cm, it exceeds the typical size of a calendar, and is a feature of any room. Set within this are large Helvetica numerals that enumerate the days of the month.

The two digit dates are tightly and precisely kerned, such that the two characters just touch. The negative space left in and around these kissing numerals was of as much interest to Vignelli as the numbers themselves: the shape of the number 23, in particular, he considered graphic perfection.

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